Mediums/binders for oils

- medium used for painting, significantly reducing the drying time of oil paints -cCobalt Siccative due to its bluish shade is perfect for painting water, sky and blue - it should be added in small amounts,

Medium dedicated to oil paints of Polish brand Renesans. It aims to accelerate the long drying process of paint, especially shades of blue (useful for fragments of images that depict water, sky ...). The drying rate of the oil paint layer in the image determines the type of oil used in the paints, but external conditions such as heat and light are also important. It blends perfectly with the paint, resulting in even drying from the top layers to the deepest. Warning! Excessive amount of siccative can cause faster aging of the paint, and in the case of abundant use of it, premature destruction and cracking of the image. Capacity: 100ml.

Very fast-drying additive for oil colours. Provides fast surface drying and even thorough drying. ATTENTION: Add only in drops to the oil colour otherwise colour may darken, stick, wrinkle or even tear off. Dosage: max. 0,1%.

Pasty medium for oil colours. Suitable for prima- and putty-knife painting technique. Preserves the natural tone and buttery character of an oil colour; accelerates drying and supports the through drying of thicker oil layers. There is no change of the product quality based on the colour change of the raw material stand oil. Dosage: 10 to max. 30%

Impasto for oil paints is a thick, cohesive paste for modeling and creating thick layers on canvas. It can be mixed with oil paints to create texture on the surface. It does not lose volume and is very durable

Hydropower Medium by Renesans. A liquid, odorless medium for oil paints in a 100 ml bottle. Hydropower Medium allows you to mix oil paints with water instead of turpentine or linseed oil. Thanks to it, there is no need to use harmful solvents - tools can be easily washed only with soap and water. The drying time and varnishing are carried out in a traditional way for oil paints. The medium should be mixed with the paint using a spatula in a ratio of 1: 2 (medium: oil paints). Water can be added to the resulting mixture to thin the paint. The medium increases the transparency and gloss of the paints.

A soft paste used to increase the density of oil paints and deepen their matt finish. To obtain a consistency that can be spread with a brush, you can dissolve the paste in a small amount of unscented solvent. Can be applied to a dry oil painting as a wax varnish.

It is used to speed up the oil paint drying time, must be added in small amounts to the paint before its application. The overuse of the drier can cause a painting peeling, bright loss and paint fixation problems

Speeds up the drying time, keeping the paint bright and consistent. Improves the flexibility and the spreading, making cut and transparency.

Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.

Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.

Ready-to-use binder for Schmincke Oil bronzes. For brilliant metallic effects on oil paintings and several other surfaces like wood, metal or gypsum. The gilding remains after drying soluble to turpentine respectively turpentine substitute. (Pre-tests are recommended prior to the application of varnish!).Mix 3 parts Schmincke oil-bronze and 2 parts bronze medium with a painting knife shortly before application.

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Μέτριο για χρώματα λαδιού πλούσια σε ρητίνη («άπαχο»). Επιταχύνει το στέγνωμα, αυξάνει το αποτέλεσμα γυαλάδας και βάθους. και κάνει τα στρώματα χρώματος πιο ανθεκτικά. Κλείστε το καπάκι αμέσως μετά τη χρήση. Δοσολογία: 10 έως 20%.

Μέσο τύπου ζελέ (άπαχο) για ανάμειξη χρωμάτων λαδιού με νερό αντί για οργανικούς διαλύτες όπως τερεβινθίνη ή υποκατάστατο τερεβινθίνης. Αυξάνει τη γυαλάδα και τη διαφάνεια, μειώνει το ιξώδες και εναρμονίζει τη διαδικασία ξήρανσης. Άοσμο. Ανακατέψτε 2 μέρη χρώματος λαδιού και 1 μέρος τζελ μέσου W σε μια παλέτα και μετά προσθέστε νερό. Τα εργαλεία βαφής μπορούν να καθαριστούν με νερό. Δεν υπάρχει αλλαγή στην ποιότητα του χρώματος. Δοσολογία: 50%.

Μέσο με υφή τζελ για την επιτάχυνση του στεγνώματος των χρωμάτων λαδιού. Χαρακτηριστικά:  Επιταχύνει πολύ το χρόνο στεγνώματος  Διατηρεί τη γυαλάδα  Διατηρεί τη συνοχή των χρωμάτων του λαδιού. Η συνιστώμενη δόση για τον επιταχυντή στεγνώματος είναι 10 - 30 %

Λάδι για λείανση χρωμάτων. Περισσότερες πληροφορίες παρακάτω.

Έλαιο καρθάκου για την αραίωση χρωμάτων λαδιού. Περισσότερες πληροφορίες παρακάτω.