Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.
Hahnemühle Ingres Pastel offers pastel artists the perfect surface. Designed for this specific artistic technique, the Ingres Pastel 100 gsm paper has fine ridges and a slightly rough surface. It allows even colour adherence without using a lot of pressure, producing precise and colour-intensive results. Thanks to the exclusive use of high-quality pigmented colours in the production of this paper, Ingres Pastel boasts exceptional lightfastness. It is ideal for pastels, pencils and red chalk.Hahnemühle Ingres Pastel is available as a pad in white or nine different shades. The sheets are available in 9 shades ( see the picture ). Hahnemühle Ingres Pastel is acid-free and age-resistant. Contains 20 sheets.
This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.
This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.
When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.
When letters become art... The Hahnemühle Hand Lettering Block offers hand lettering enthusiasts a first-class foundation for practising their art. Developed together with hand lettering artists, it has been tailored to their specific needs, forming the basis for outstanding lettering. Brush pens, fine-tip pens and pencils simply glide across the highly smooth paper. Preliminary sketches can be easily rubbed out on the coated surface, and the tips of sensitive brush pens or paintbrushes are preserved. The smooth, closed surface traps colours and prevents bleeding. The brilliant white paper ensures vibrant colours; both monochrome and multicoloured motifs stand out and can be easily scanned and then further processed digitally. Our pads offer the perfect absorption and drying behaviour for brush pens, fine-tip pens and felt-tip pens.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.Colors:sahara, crema, perla, zabaione, bianco, polvere.
This paper is produced with a high cotton content and pure ECF cellulose, according to ISO 9706 'LONG LIFE' regulations. It is acid free to guarantee long permanence in time. It has highly lightfast colours, an excellent surface making and sizing which make this paper particularly suitable for pastels, pencil, graphite, charcoal, tempera, air brush and watercolour techniques. Tiziano can be used for all printing techniques.Colors:sahara, crema, perla, zabaione, bianco, polvere.
Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed
Which paper is the right one for which watercolour technique? Anyone asking themselves this question should try out the Hahnemühle FineArt AquarellSelection pad. The selection of papers illustrates the diversity of surfaces and grammages available in the watercolour range. The Hahnemühle AquarellSelection pad contains 12 different qualities of Hahnemühle watercolour sheets: 7x mould-made: Hahnemühle 200 gsm, cold pressed Hahnemühle 200 gsm, rough Hahnemühle 300 gsm, cold pressed William Turner 300 gsm Cézanne 300 gsm, cold pressed Leonardo 600 gsm, rough 5 x Watercolour: Cornwall 450 gsm, matt Cornwall 450 gsm, rough Britannia 300 gsm, rough Torchon 275 gsm Burgund 250 gsm, cold pressed
Hahnemühle FineArt has designed this special paper for Japanese Sumi-e painting. This very absorbent paper is ideal for “freestyle” brush painting. “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines. Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy. Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. 20 sheets - 80gsm.
Manga Layout & Illustration is a white lightweight paper with a closed smooth surface. Even without a light table it can be easily used to trace. Colours don’t blend and even when applied as thick layers they don’t bleed through to the next sheet of the block. The Manga Layout & Illustration paper is available as 40-sheet blocks in A4 and A3 formats. The paper is acid free and has a high longevity level.
The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors – all skillfully made based on a 100% acrylic emulsion and high-grade pigments. Enjoy great lightfastness and a choice of opacities. This medium viscosity paint is easy to work with and offers a smooth color when applied on its own. In combination with our various painting mediums, the paint becomes extremely versatile.
The Color Mixing Guide Wheel is a useful accessory which enables you to visualise how colours will blend with and relate to each other by presenting various tones and shades in a circle. Simply select a colour on the outside wheel and then align it with a colour on the inside wheel and the resulting blend appears in the window. Diameter 13 cm.
Staple-bound Ecoqua Original; 40 pages, 4 types. BioprimaBook 90 g/m² internal paper. The cover is made with Sirio Denim paper with a scratch-resistant surface finish
It is suitable for all dry techniques, from sketching & drawing to color pencils, and wet techniques, from pen & ink to gouache and watercolor. Mix every-thing and push your creativity to new frontiers. Available in 3 sizes. Short side spiral bound “true-size”: 14,8x21 cm, 21x29,7 cm, 29,7x42 cm
Set of 5 different head shapes. Great for oil painting, pastel scrubbing and clay sculpture Soft, Grey Silicon head will not absorb the material Easy to clean.