Schmincke

Final varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

Binder for own production of acrylic colours, acrylic mediums and primers. Glossy, colourless, nonyellowing, age-resistant; dilutable with water, but forms rather quickly a water-resistant film. Improves adhesion of undercoats when added to Schmincke acrylic colours instead of water; increases gloss and transparency of the colours.

For crackles in acrylics. This fine, white, even and highly absorbent acrylic paste forms crackles while drying. Can be dyed with acrylic colours (max. 30%) or be overpainted after drying. Application with brush or spatura on grease free, sustainable and especially rigid surfaces.

Intermediate varnish for painting in oil. Colourless; non-yellowing; very fast drying; might soften justdried oil colours; should not be used in layers with other final based on mineral spirit (tends to dull!); not suitable as a final varnish; might not be diluted with turpentine substitute (50019); the dried varnish layer remains soluble in alcohol.

Ready-to-use binder for Schmincke Oil bronzes. For brilliant metallic effects on oil paintings and several other surfaces like wood, metal or gypsum. The gilding remains after drying soluble to turpentine respectively turpentine substitute. (Pre-tests are recommended prior to the application of varnish!).Mix 3 parts Schmincke oil-bronze and 2 parts bronze medium with a painting knife shortly before application.

Final varnish for paintings in oil made from best white Palembang-dammar. Glossy; hardly yellowing; fast drying.