Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.
Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!
Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.
Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artistsĀ“ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.
Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artistsĀ“ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.
Ready-to-use binder for easy grinding of translucent water-colours in combination with Schmincke pure artistsĀ“ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.