Renesans

Size on varnish is an oil and varnish with adhesive properties used for gluing metal flakes. Flakes can be glued after 3 hours. Before applying the mixture, insulate the surface with diluted acrylic paint and smooth after applying several layers. Then apply 1 to 2 thin layers of the mixture with a soft brush. Leave to dry until the mixture is sticky to the touch and start applying gold flakes

Oil and alcohol with adhesive properties used to glue metal flakes. Especially for surfaces not resistant to water. Flakes can be glued after 30 minutes. Before applying the mixture, insulate the surface with diluted acrylic paint and smooth after applying several layers. Then apply 1 to 2 thin layers of the mixture with a soft brush. Leave to dry until the mixture is sticky to the touch and start applying gold flakes.

Ketone, colorless varnish based on alcohol for protecting silver in petals or silver jewelry. It gives the obbject made of gypsum the effect of porcelain. Lustrina has a protective function and protects against abrasion

Varnish obtained from pure shellac is used as a protective varnish.

Latex-based liquid frisket which is used for masking certain areas of the work before the paints are applied. Easily removed by rubbing.

The paints-inks are based on the Belgian binding agent STANDOLEJ, which offers special viscosity for graphical techniques, mainly for intaglio and relief. The etching paint has two main components: dyes and binding agents, also known as binders. The production process of these paints is composed of two main stages: component mixing and etching paint mixing. They dry quickly with no transparency or spilling and can be mixed and thinned with no risk of changing their initial properties. Etching inks are thinned with oils and mix well, which means that they can be mixed into any shades. Ιn black colour.

Colours matte acrylic paint. Thanks to the application of special resin and pigments, these paints produce a deep matte layer, offer intensive colours, and have good resistance to light. The range includes 30 colours, all of which can be mixed together, and 7 metallic colours. Packaging: 20 ml aluminium tube

The DECO` line of transparent stained glass paint is composed of 13 transparent and 3 opaque colours, all of which can be mixed with each other. The decorated glass must be cleaned well and degreased with a little rubbing alcohol or acetone. It is recommended to work with a horizontal surface to keep the paint from trickling. The DECO` paints take much longer to dry than other paints for glass available on the market. The drying time is minimum 48 hours and depends on the thickness of the applied coat. The paint crystallises a little faster in an oven at the temperature of approximately 60°C. To improve resistance to weather conditions, it is recommended to apply a layer finishing varnish no. 200 on VERY WELL dried paint (even after 1 month). However, you cannot apply another coat of paint on dry DECO` paints because it will raise the previously dried cover. The resistance to light of the applied dyes is very high but depends considerably on the paint concentration, which means that the paint in its initial form is much more durable than when thinned with emulsion or thinner and that a thicker layer is more durable than a very thin layer. The slow drying process is caused by the alcohol content and has a positive effect on even paint distribution into the outline and elimination of streaks. Clean the decorated surface with a damp cloth. Do not use liquids and detergents, which may contain thinners.

The TEX line of textile watercolours is composed of 16 colours, which can all be mixed with each other. They can be applied on various textiles, which should be washed before being decorated. White cotton provides the best results. The paint can be applied with a brush or aerograph. After the paint dries, it should be thermally fixed through ironing of the other side of the textile at the temperature appropriate to the given textile.