Painting

Ghiant H2O Water-based Gesso has 90% fewer solvents and 35% fewer VOCs than a normal aerosol sprays. It will not yellow or discolour. Ghiant H2O Water-based Gesso is suitable for preparing surfaces for oil, alkyd and acrylic paint. This product creates a grainy, transparent surface for good paint adhesion. Always spray thin coats at a distance of 20 cm from the painting surface. It is recommended to wait at least two hours before applying additional layers. At least two gesso layers are required for oil paintings. Allow 24 hours for the product to dry fully. Shake well before use.

A glue of protein nature manufactured from rabbit skins.Applications: For preparation of surfaces prior to painting- gilding. For restoration (paintings, mosaic etc).

Binder for own production of acrylic colours, acrylic mediums and primers. Glossy, colourless, nonyellowing, age-resistant; dilutable with water, but forms rather quickly a water-resistant film. Improves adhesion of undercoats when added to Schmincke acrylic colours instead of water; increases gloss and transparency of the colours.

Intermediate varnish for painting in oil. Colourless; non-yellowing; very fast drying; might soften justdried oil colours; should not be used in layers with other final based on mineral spirit (tends to dull!); not suitable as a final varnish; might not be diluted with turpentine substitute (50019); the dried varnish layer remains soluble in alcohol.

Final varnish for paintings in oil made from best white Palembang-dammar. Glossy; hardly yellowing; fast drying.

Final varnish for paintings in oil made from best white Palembang-dammar. Μatt; hardly yellowing; fast drying.

Final varnish for paintings in oil. Glossy; colourless; very elastic; hardly yellowing; fast drying.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.

Gloss varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month).Elastic,Non-yellowing, non ageing.

Μatt varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos). May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month). Elastic, non-yellowing, non ageing.

Νeutral varnish with UV-protector for oil (also suitable for inkjet-prints, art prints and photos). May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month). Elastic, Non-yellowing, non ageing.

Final varnish for paintings in oil. Glossy; colourless; non- yellowing; age-resistant; fast drying.The product is ready to use, but can be diluted with e.g. turpentine substitute. May only be applied with a suitable varnish brush at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 – 12 month at the earliest.

Final satin-matt varnish with UV-protector for several painting techniques (e.g. oil. acrylic, gouache; also suitable for inkjet-prints, art prints and photos).May only be applied to the layer of paint after it has dried completely (drying time for oil colours: at least 8 – 12 month; drying time for thin acrylic coulours: approx. 3 days, for thicker acrylic layers: approx. 1 – 2 weeks; drying time for gouache: approx. 1 day).

This versatile varnish is used to bring back the original paint quality of dry or dull oil paints. Daler-Rowney Retouching Varnish can be reduced with solvents, and it is much thinner than final top coat varnishes. It can be used as a preliminary varnish as soon as the paint surface is dry to the touch, since oil paints can continue to dry out through the film. This can be useful for varnishing a new painting before an exhibition. After a painting is fully dry, a retouching varnish can be removed with turpentine or mineral spirits prior to final varnishing, or it can be left underneath the final varnish.

Ενδιάμεσο γυαλιστερό βερνίκι για λάδι σε σπρέι. Δεν επηρεάζει το φρεσκοστεγνωμένο χρώμα. Άχρωμο,δεν κιτρινίζει. Πολύ γρήγορο στέγνωμα! Έτοιμο για χρήση. Απομακρύνεται με νέφτι ή white spirit.

Cutting mat lined for accurate cutting.Double-sided.Self-healing.Protects work surfaces Available in A1,A2,A3.

Rooted in 1783 London and named after George Rowney the company’s founder, Georgian Oil Colours from Daler-Rowney enrich contemporary artistic expression through modern and brilliant colours, optimal pigment loads and a very satisfying feel under both brush and knife. Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and even performance and finish across all colours. Due to their careful formulation, Georgian Oil Colours generally require very limited quantities of mediums so can be used freely straight from the tube allowing the artist to concentrate on spontaneous creativity.Available in 54 colours.

Rooted in 1783 London and named after George Rowney the company’s founder, Georgian Oil Colours from Daler-Rowney enrich contemporary artistic expression through modern and brilliant colours, optimal pigment loads and a very satisfying feel under both brush and knife. Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and even performance and finish across all colours. Due to their careful formulation, Georgian Oil Colours generally require very limited quantities of mediums so can be used freely straight from the tube allowing the artist to concentrate on spontaneous creativity.Available in 54 colours.