Painting

Τερεβινθέλαιο, φιλτραρισμένο και ραφιναρισμένο για την αραίωση λαδιών, βερνικιών και ρητινών.

Mixture of solvents with similar properties to turpentine oil (50024, 50102). Gentle odour. Thinner for oil colours, oil panting mediums and varnishes based on mineral spirit; not mixable with varnishes based on alcohol; solvent for dammar resin, but not for mastic resin.

Reviver to restore brittle and dull oil-colour layers which have been through dried over a long period. Works more efficient than oil of turpentine or turpentine substitute (50019). Rub in the medium sparingly (!) with a soft lint-free cloth until original brightness is regained. The necessary penetration time depends on the hardness of the colour layers. On principle: as short as possible. Remove the medium carefully from the surface with oil of turpentine or turpentine substitute . Follow-up treatment with final or picture varnish is recommended (please wait some weeks until the picture layers has been consolidate.

Product works more efficient than oil of turpentine (50024, 50102) or turpentine substitute (50019). Apply varnish remover with a soft lint-free cloth to a small area; moisten the varnish with lightly (!) rotary motions and take it off carefully with the cloth. Observe the softening process of the colour layer. Pre-tests before use!

Protective lacquer for paintings in acrylic. Μatte, clear; colourless; non-yellowing; age-resistant; dilutable with slovent of turpentine, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Satin glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. ( ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Protective lacquer for paintings in acrylic. Glossy, clear; colourless; non-yellowing; age-resistant; dilutable with water, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.

Προστατευτικό βερνίκι για ακρυλικά σε σπρέι. Γυαλιστερό, διαφανές, ελαστικό. Δεν κιτρινίζει και προστατεύει από την UV ακτινοβολία και τις καιρικές συνθήκες. Στεγνώνει γρήγορα.

Final varnish with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final varnishes with UV-protector especially for paintings in acrylic; also suitable for inkjet prints, art prints and photos.

Final fixative to protect water-colour paintings from humidity and dust based on alcohol. Colourless; non-yellowing, age-resistant; fast drying. (Hint: May increase transparency of water-colour papers!)

Final fixative to protect water-colour paintings from humidity and dust based on alcohol. Colourless; non-yellowing, age-resistant; fast drying. (Hint: May increase transparency of water-colour papers!)

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour. Contains 10 tubes. Colours: 215 - lemon yellow 224 - cadmium yellow light 349 - cadmium red light 353 - permanent carmine 494 - ultramarine finest 492 - Prussian blue 519 - phthalo green 655 - yellow ochre 649 - English Venetian red 663 - sepia brown

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.Contains 12.