Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.
Natural wetting agent for water-colours and gouache colours. Decreases the surface tension of the colours diluted with water. Use sparingly. Dissolved oxgall tends to flocculate during a long period of torage. This has no influence on the product`s handling.
Adhesion promotor for collages with water-colours. Strew or press light materials like textiles, silk paper, pigments or sand into the wet medium. Remains water-soluble like a water-colour. May be used pure or tinted with water-colours. HINT: the product mixed with AQUA fix becomes waterproof.
Medium for water-colours. Increases the water resistance of the colour: avoids dissolving of the colour when painted in several layers and allows more possibilities for transparent painting. To be used for water-colour painting instead of water. Clean brush and palette thoroughly with water and soap immediately after use.
Effect medium for water-colours. Allowes sparkling pearlescent effects. Retards drying; remains watersoluble after drying like a water-colour; to be mixed with water-colours or applied pure. Shake before use.
Φυσικό Λινέλαιο ψυχρής έκθλιψης, για την αραίωση χρωμάτων λαδιού χωρίς να χάνουν τη λαμπρότητα και τον στιλπνό ελαστικό τους χαρακτήρα. Προσοχή! Το Linseed oil cold pressed μπορεί να παρουσιάσει καθυστέρηση στο στέγνωμα σε σχέση με το Linseed oil purified.
Especially refined (winterized and bleached) linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil colours.
A clear oil medium to mix with and reduce light colors. Less inclined to yellow than Linseed Oil, but slower drying. Enhances gloss and flow, but too high a proportion prevents the color from thorough drying.
Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.
Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!
Binder for own production of water-colours and gouache colours. Dilutable with water; dries to a wiping resistant film, but remains water-soluble. Improves adhesion of undercoats when added to Schmincke water-colours and gouache colours; increases gloss, transparency and intensity of colours.
Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.
Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.
Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.
Ready-to-use binder for easy grinding of translucent water-colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.