Painting

This medium is for the preparation of watercolour paper so that already dreid colour can be removed afterwards, so a watercolour painting can be modified or corrected. Especially usefull for staining watercolours, which are hard to remove, marked with the triangle symbol. The medium has to be applied before the colour application, as it isolates the paper. Using very soft, textured paper types like e.g. rag paper, the medium has to be applied purely. For stronger sized papers the medium should be thinned with water. Pre-tests are recommended. As the Lift-off Medium dries to a water-insoluble film, it must never be put into the pans. Please clean tools as soon as possible with water and soap.

The Indian ink is in particular intended for hobby painting; it is the ink for technical purposes. The product is suitable for drawing on tracing paper and drawing paper. The ink is not suitable for use in technical pens.

Plastic Palette. Dimensions 25,7 x 11cm.

Ideal for furniture making and to glue pieces of wood in general. Quick and firm grip. Non-toxic.

Hydropower Medium by Renesans. A liquid, odorless medium for oil paints in a 100 ml bottle. Hydropower Medium allows you to mix oil paints with water instead of turpentine or linseed oil. Thanks to it, there is no need to use harmful solvents - tools can be easily washed only with soap and water. The drying time and varnishing are carried out in a traditional way for oil paints. The medium should be mixed with the paint using a spatula in a ratio of 1: 2 (medium: oil paints). Water can be added to the resulting mixture to thin the paint. The medium increases the transparency and gloss of the paints.

Milky paste that causes cracking of the top layer of acrylic paints, ready to use directly from the jar. Directions for use: Using a dry, soft and clean brush, apply the undercoat to the selected surface. Preferably two layers. As soon as the last layer of the mass starts to dry, being only slightly sticky, you should start applying another color of acrylic paint, preferably contrasting with the color under the base mass. Stronger cracks can be obtained by changing the direction of the brush strokes in relation to the direction in which the undercoat was applied. The layer of new paint on the surface will crack immediately, revealing the color of the paint on the underside.

High pharmaceutical grade gum arabic powder; comes from Sudan.

gold paste, ideal for restoring gold-plated items and for authentic gold. Contains beeswax and high quality mineral minerals. The paste can be used on many different surfaces and especially wood, plastic and metal giving them a permanent metal face, while being very resistant to time wear It is ideal for decoration and transformations into frames and for the restoration of gilded objects whose gold has been worn out. Apply the paste with a cotton cloth, your finger or a brush and let it dry for 24 hours. Then polish the surface with a cloth.

Gold paste, ideal for restoring gold-plated items and for authentic gold. Contains beeswax and high quality mineral minerals. The paste can be used on many different surfaces and especially wood, plastic and metal giving them a permanent metal face, while being very resistant to time wear It is ideal for decoration and transformations into frames and for the restoration of gilded objects whose gold has been worn out. Apply the paste with a cotton cloth, your finger or a brush and let it dry for 24 hours. Then polish the surface with a cloth.

Retarder is ready to use and should be mixed with acrylic colours on a separate palette in a ratio of max. 30 %. The effect depends on the amount of added medium; adding around 20 % extends the colour’s drying time by approx. 50 %. The product has no properties for film formation and therefore should not be use in pure form! The product can be diluted with water. Please clean tools as soon as possible with water or water and soap. Just dried acrylic colours can be removed with brush cleaner 50051 / 50052. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required.

Supergranulating colours are watercolours with a special property: the combination of at least 2 granulating HORADAM® pigments intensifies this effect to "supergranulation". The colours are formulated with pigments from different colour ranges, resulting in additional colour changes besides the granulation effect. For example, the shade "Deep Sea Indigo" (14 952) is a combination of violet and green pigments, while "Glacier Brown" (14 965) contains a brown and a green pigment. This novel, natural structure formation of the colours varies depending on the paper and the amount of water used. The rougher the paper, the stronger the granulating effect. The 40 supergranulating colours are divided into 8 thematic series of 5 colours each: Deep Sea, Glacier, Galaxy, Forest, Tundra, Volcano, Shire and Desert. The colours are available in half pans. All supergranulating HORADAM® AQUARELL colours have exclusively 4 and 5 stars lightfastness and contain only pigments already known from HORADAM®. The opacity of the colours is predominantly semi-transparent / semi-opaque. All supergranulating colours can be used on their own and perfectly in combination with all 139 HORADAM® AQUARELL watercolours as well as all AKADEMIE® Aquarell watercolours.

Λεπτοαλεσμένη μεταλλική χρωστική σε σκόνη, κατάλληλη για επίχρυσωση και για ανάδειξη των ραγισμάτων του κρακελέ. Αναμιγνύεται με χολή βοδιού ή με ακρυλική κόλλα.

Λεπτοαλεσμένη μεταλλική χρωστική σε σκόνη, κατάλληλη για επίχρυσωση και για ανάδειξη των ραγισμάτων του κρακελέ. Αναμιγνύεται με χολή βοδιού ή με ακρυλική κόλλα.

Ακρυλική πάστα μοντελοποίησης που αυξάνει τον όγκο. Πολύ παχιά, ελαφριά και λεία πάστα. Σας επιτρέπει να αποκτήσετε σημαντικά πάχη και να δημιουργήσετε εξαιρετικές υφές. Μπορεί να αναμιχθεί με ακρυλικά χρώματα, γκουας και ακουαρέλες. Μετά το στέγνωμα, η πάστα είναι αδιάβροχη και μπορεί να ζωγραφιστεί από πάνω. Είναι ελαφρύ και έχει εξαιρετική πρόσφυση.

Ακρυλική πάστα μοντελοποίησης που αυξάνει τον όγκο. Πολύ παχιά, ελαφριά αλλά πορώδης και τραχιά πάστα. Σας επιτρέπει να αποκτήσετε σημαντικά πάχη και να δημιουργήσετε εξαιρετικές υφές. Μπορεί να αναμιχθεί με ακρυλικά χρώματα, γκουάς και ακουαρέλες. Μετά το στέγνωμα, η πάστα είναι αδιάβροχη και μπορεί να ζωγραφιστεί από πάνω. Είναι ελαφρύ και έχει εξαιρετική πρόσφυση.