Painting

Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to set up transparency paintings on gouache, tempera and acrylic paints; thins with hardly affecting the drying time and gloss. Dosage: 10 to max. 20%

Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to set up transparency paintings on gouache, tempera and acrylic paints; thins with hardly affecting the drying time and gloss. Dosage: 10 to max. 20%

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging. Contains 100 pcs. Colours: 001 D - white 002 O - permanent yellow 1 lemon 007 H - titanium yellow 003 M - permanent yellow 2 light 003 H - permanent yellow 2 light 003 D - permanent yellow 2 light 009 O - vanadium yellow deepl 004 O - permanent yellow 3 deep 004 H - permanent yellow 3 deep 004 D - permanent yellow 3 deep 010 H - orange light 010 D - orange light 005 H - orange deep 005 D - orange deep 042 H - permanent red 1 pale 042 D - permanent red 1 pale 040 M - vermilion 023 O - caput mortuum pale 042 M - permanent red 1 pale 047 O - rose madder 047 H - rose madder 049 O - purple 1 045 H - madder lake 046 H - carmine red 044 H - permanent red 3 deep 041 M - scarlet 044 D - permanent red 3 deep 044 B - permanent red 3 deep 045 D - madder lake 046 D - carmine red 043 M - Bordeaux 091 M - grey blue 064 M - cobalt blue hue 066 O - Prussian blue 057 O - bluish violet 056 O - reddish violet 056 H - reddish violet 050 H - Purple 2 059 H - deep violet 063 H - ultramarine deep 064 H - cobalt blue hue 065 D - greenish blue 690 H - cerulean blue 066 H - Prussian blue 064 D - cobalt blue hue 600 M - delft blue 062 D - ultramarine light 063 D - ultramarine deep 059 D - deep violet 063 B - ultramarine deep 066 D - Prussian blue 068 O - bluish green 075 O - mossy green 1 085 O - olive green 1 071 O - light green 071 M - light green 068 M - bluish green 068 H - bluish green 084 H - chromium oxide green 076 M - moosy green 2 076 H - moosy green 2 075 D - moosy green 1 076 D - moosy green 2 071 D - light green 073 D - leaf green 2 080 B - cold green 1 030 H - greenish umber 085 D - olive green 1 085 B - olive green 1 014 H - gold ochre 016 H - flesh ochre 013 D - light ochre 032 H - brown ochre 028 D - olive ochre light 033 D - burnt green earth 035 O - burnt umber 024 O - caput mortuum deep 022 O - English red 018 H - burnt Sinena 019 H - burnt yellow ochre 024 H - caput mortuum deep 023 H - English red 033 H - burnt green earth 022 D - English red 023 D - caput mortuum pale 024 B - caput mortuum deep 036 D - Vandyke brown 036 B - Vandyke brown 094 B - greenish grey 2 091 D - grey blue 1 091 B - grey blue 1 093 M - greenish grey 1 098 O - neutral grey 098 N - neutral grey 098 K - neutral grey 098 G - neutral grey 098 F - neutral grey 098 D - neutral grey 097 D - serious black

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging. Contains 200 pcs.

Intermediate varnish for painting in oil. Colourless; non-yellowing; fast drying; does not solve just-dried oil colours; it is possible to add a final varnish based on mineral spirit at once; the dried varnish layer remains soluble in turpentine substitute.

Medium for AERO COLOR® Professional for mixing a textile airbrush colour (mixing ratio: 1:1). Thinner: Water Handling Shake well before use. AERO TEX is ready to use. Should be mixed with AERO COLOR® Professional in a ration of 1:1. Wash, dry and iron the material beforehand. Spray application wet. After finishing the design let it dry out. Iron the reverse side (cotton about 2 min.; silk / wool about 4 – 6 min.; synthetics about 8 min.; temperature should be adapted to the fabric!). Washable at 30 °C; do not dry clean. The product can be diluted with water, but dries up to a water-insoluble film. Please clean tools as soon as possible with water and/or AERO CLEAN RAPID 50606. Best results are achieved with spray application at processing temperatures between 15 and 30 °C, 2 bar air pressure and a nozzle size of > 0,15 mm for coloured shades and 0,3 mm for effect colours. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required. Sizes: 28 ml

This medium is for the preparation of watercolour paper so that already dreid colour can be removed afterwards, so a watercolour painting can be modified or corrected. Especially usefull for staining watercolours, which are hard to remove, marked with the triangle symbol. The medium has to be applied before the colour application, as it isolates the paper. Using very soft, textured paper types like e.g. rag paper, the medium has to be applied purely. For stronger sized papers the medium should be thinned with water. Pre-tests are recommended. As the Lift-off Medium dries to a water-insoluble film, it must never be put into the pans. Please clean tools as soon as possible with water and soap.

The Indian ink is in particular intended for hobby painting; it is the ink for technical purposes. The product is suitable for drawing on tracing paper and drawing paper. The ink is not suitable for use in technical pens.

Plastic Palette. Dimensions 25,7 x 11cm.

Indicated to improve the adherence of rugs on the floor, preventing it from slipping on the floor. CHARACTERISTICS Resistant to washings. Ready to use. Non toxic. HOW TO USE It can be applied with a brush, sponge or spatula on cotton pieces, string and crochet. Open weft mats: apply with a brush or sponge, gently depositing along the entire length of the mat, avoid excesses in the hollow areas of the weft. Closed weft mats: apply a generous amount and spread with a spatula, leaving a thick layer.

Ideal for furniture making and to glue pieces of wood in general. Quick and firm grip. Non-toxic.

Hydropower Medium by Renesans. A liquid, odorless medium for oil paints in a 100 ml bottle. Hydropower Medium allows you to mix oil paints with water instead of turpentine or linseed oil. Thanks to it, there is no need to use harmful solvents - tools can be easily washed only with soap and water. The drying time and varnishing are carried out in a traditional way for oil paints. The medium should be mixed with the paint using a spatula in a ratio of 1: 2 (medium: oil paints). Water can be added to the resulting mixture to thin the paint. The medium increases the transparency and gloss of the paints.

Milky paste that causes cracking of the top layer of acrylic paints, ready to use directly from the jar. Directions for use: Using a dry, soft and clean brush, apply the undercoat to the selected surface. Preferably two layers. As soon as the last layer of the mass starts to dry, being only slightly sticky, you should start applying another color of acrylic paint, preferably contrasting with the color under the base mass. Stronger cracks can be obtained by changing the direction of the brush strokes in relation to the direction in which the undercoat was applied. The layer of new paint on the surface will crack immediately, revealing the color of the paint on the underside.

High pharmaceutical grade gum arabic powder; comes from Sudan.

gold paste, ideal for restoring gold-plated items and for authentic gold. Contains beeswax and high quality mineral minerals. The paste can be used on many different surfaces and especially wood, plastic and metal giving them a permanent metal face, while being very resistant to time wear It is ideal for decoration and transformations into frames and for the restoration of gilded objects whose gold has been worn out. Apply the paste with a cotton cloth, your finger or a brush and let it dry for 24 hours. Then polish the surface with a cloth.