Painting

Renesans drawing inks are made to a very traditional recipe. One of the basic ingredients is shellac, which ensures a delicate gloss, fastness and depth of colour. The inks are completely non-washable after drying. They may be applied using a paintbrush or nib. Available in eight basic colours, in 30 ml plastic jars and in 100 ml, 250 ml, 500 ml and 1 litre bottles.

Renesans drawing inks are made to a very traditional recipe. One of the basic ingredients is shellac, which ensures a delicate gloss, fastness and depth of colour. The inks are completely non-washable after drying. They may be applied using a paintbrush or nib. Available in eight basic colours, in 30 ml plastic jars and in 100 ml, 250 ml, 500 ml and 1 litre bottles.

Renesans drawing inks are made to a very traditional recipe. One of the basic ingredients is shellac, which ensures a delicate gloss, fastness and depth of colour. The inks are completely non-washable after drying. They may be applied using a paintbrush or nib. Available in eight basic colours, in 30 ml plastic jars and in 100 ml, 250 ml, 500 ml and 1 litre bottles.

Renesans drawing inks are made to a very traditional recipe. One of the basic ingredients is shellac, which ensures a delicate gloss, fastness and depth of colour. The inks are completely non-washable after drying. They may be applied using a paintbrush or nib. Available in eight basic colours, in 30 ml plastic jars and in 100 ml, 250 ml, 500 ml and 1 litre bottles.

Renesans drawing inks are made to a very traditional recipe. One of the basic ingredients is shellac, which ensures a delicate gloss, fastness and depth of colour. The inks are completely non-washable after drying. They may be applied using a paintbrush or nib. Available in eight basic colours, in 30 ml plastic jars and in 100 ml, 250 ml, 500 ml and 1 litre bottles.

NEW - standard set large wooden box with 48x large pans incl. 2x da Vinci brushes Cosmotop #8 and #12 and porcelaine palette Colours: 893 - gold 894 - silver, 101 - titanium opaque white, 215 - lemon yellow, 224 - cadmium yellow lemon, 209 - transparent yellow, 217 - quinacridone gold hue, 220 - Indian yellow, 213 - chromium yellow hue deep, 214 - chromium orange hue, 218 - transparent orange, 349 - cadmium red light, 363 - scarlet red, 366 - perylene maroon, 371 - perylene violet, 354 - madder red dark, 353 - permanent carmine, 352 - magenta, 474 - manganese violet, 495 - ultramarine violet, 482 - Delft blue, 485 - indigo, 494 - ultramarine finest, 480 - mountain blue, 492 - Prussian blue, 484 - phthalo blue, 479 - helio cerulean, 475 - helio turquoise, 509 - cobalt turquoise, 528 - Prussian green, 519 - phthalo green, 524 - may green, 533 - cobalt green dark, 784 - perylene green, 534 - permanent green olive, 525 - oliv green yellowish, 221 - jaune brilliant dark, 229 - Naples yellow, 655 - yellow ochre, 661 - burnt Sienna, 649 - English Venetian red, 645 - Indian red, 668 - burnt umber, 663 - sepia brown, 787 - Payne´s grey bluish, 782 - neutral tint, 780 - ivory black, + ONETZ

Renesans GOUACHE are easy to use thick and well-covering paints, which produce a flexible but still water soluble layer. Besides pigment, the production of gouache involves kaolin and other raw materials to make the paint well-soluble. Our gouache is held together with gum arabic and produces a thick and opaque layer on dry or damp paper. It can be applied with aerographs to produce exceptionally saturated and smooth surfaces. Gouache also goes well with other techniques, including watercolours, acrylics, sketching, which is why it is very popular among designers and illustrators. After drying, all temperas considerably brightens and fades, so it is recommended to use liquid agents to preserve and intensify the colour.

DECO’ outliners are recommended for creation of decorations imitating stained glass joints, which are separated with specific colours to create interesting relief decorations. The DECO’ Renesans Outliners 3D are available in 10 colours: white, yellow, red, blue, green, black, gold, bronze, silver, and copper.

Renesans oil pastels are oil-based. Renesans pastels are soft and easy to use and the individual colours are easy to apply and mix. The intensive colours provide artistic effects and adhere well to the surface. Oil pastels are good for both primed canvas and paper with use of a brush (e.g. bristle or sponge) doused in turpentine. The oil pastel technique offers additional options, like applying thick impasto or scratching. The product range is available in 55 colours individually or in sets.

Plastic palette with 9 dwells, size 22x29 cm.

Round plastic palette, 10 dwells. Dia.17 cm.

Plastic palette, 10 dwells. Size 17 x 23 cm.

Το white spirit είναι νέφτι για αραίωση χρώματος, αραίωση βερνικιού. Κατάλληλο για χρώμα λαδιού (ζωγραφικής), βαφή με διαλυτικό, βερνίκι πινέλου.

Υλικό αραίωσης και καθαριστικό χρωμάτων βερνικιού και πινέλων.

Natural Vegetal diluent of the Oil Colors, does not change its brightness nor the characteristic of drying time.

Υδατοδιαλυτή λευκή κόλλα ξύλων, βάσεως PVAC κατάλληλη για συγκολλήσεις υψηλών απαιτήσεων. Προσφέρει γρήγορη και δυνατή συγκόλληση, με εξαιρετική αντοχή στην υγρασία. Είναι ιδιαίτερα κατάλληλη για εξωτερικές χρήσεις. Γίνεται διαφανής μετά το στέγνωμα (κρυσταλλιζέ). ΕΦΑΡΜΟΓΕΣ: Συγκολλήσεις εξωτερικών βρεχόμενων ξύλινων κατασκευών όπως πέργκολες, κάσες παραθύρων, εξωτερικά κουφώματα, εξωτερικές πόρτες κλπ. Συγκολλήσεις όλων των ξύλων όπως μασίφ, νοβοπάν, MDF, φορμάικας που εκτίθενται σε υψηλή υγρασία. Συγκολλήσεις επίπλων όπου απαιτείται πολύ ισχυρή συγκόλληση με μεγάλη αντοχή στη γήρανση. Συγκολλήσεις άλλων υλικών πάνω σε νοβοπάν όπως χαρτόνια, υφάσματα, PVC κλπ.

Thinner for AERO COLOR® Professional. Increases transparency; optimizes adhesive properties; increases resistance against wiping and water (regarding to water). Can be mixed with AERO COLOR® Professional as desired. Thinner: Water