Damar varnish gloss anti-UV Suitable for a large - tightness and resistance of the painting coat and to uniform gloss effect. Protects against pollution and adverse effects of light, does not attract dust particles. Protects and gives a gloss finish. Suitable for oils, acrylics, temperas and etc.
Intermediate varnish for painting in oil. Colourless; non-yellowing; fast drying; does not solve just-dried oil colours; it is possible to add a final varnish based on mineral spirit at once; the dried varnish layer remains soluble in turpentine substitute.
Protective lacquer for paintings in acrylic. Μatte, clear; colourless; non-yellowing; age-resistant; dilutable with slovent of turpentine, but forms rather quickly to a water- and weather resistant film. (ATTENTION: Must be allowed to dry for least 3 days prior to exposure to weather!). Shake well before use.
Two-component epoxy resin system: resin and curing agent. Transparent and solid, perfectly imitates glass paste. Allows the creation of moulds, inclusions up to 2 cm thick for a small volume, coatings or laminates. Intended for experienced and professional users. - Transparent resin, - Simply dosing, - Very solid, - Can be used as a varnish.
Pasty final varnish for paintings in oil made from best white Palembang dammar and beeswax. May only be applied by ball of the thumb or with a lint-free cloth at room temperature to the layer of oil paint after it has dried completely, i.e. after 8 - 12 month at the earliest. After the layer has completely dried (approx. 24 hours) the initial matte varnish becomes satin-glossy by carefully polishing with a soft brush. Contains beeswax, dammar, white spirit.