New arrivals

Anacrosina is a product for cleaning old oil paintings. Shake before use. Apply with a fine brush to the dirty surface of the painting, leave the anacrosine there for a short time and then gently remove. Finally, clean the surface with a soft sponge dampened with warm water. Warning: this is a very strong product suitable for professionals, it must be tested before use. If handled carelessly, anacrosine can ruin the image! Also make sure it is a pure oil painting before applying. Some old paintings combine oil and gouache/tempera, where the water-based paint will deteriorate quickly.

Anacrosina is a product for cleaning old oil paintings. Shake before use. Apply with a fine brush to the dirty surface of the painting, leave the anacrosine there for a short time and then gently remove. Finally, clean the surface with a soft sponge dampened with warm water. Warning: this is a very strong product suitable for professionals, it must be tested before use. If handled carelessly, anacrosine can ruin the image! Also make sure it is a pure oil painting before applying. Some old paintings combine oil and gouache/tempera, where the water-based paint will deteriorate quickly.

Synthetic brush, short handle, caffe-latte color. Modern synthetic bristles imitating natural ones in the shape: flat, rounded. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.

Synthetic brush, short handle, caffe-latte color. Modern synthetic bristles imitating natural ones in the shape: flat, angle. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.

Synthetic brush, short handle, ocher color. Modern synthetic bristles imitating natural ones in the shape of the tip: flat, straight cut. Soft and resistant. Universal brushes designed for all paints and many decorating techniques.

Indian Ink 1912 is a high-quality drawing ink that is perfect for drawing, painting and writing. Based on the historic Schmincke formulas from 1912, also known as "Chinese ink", it offers deep black, absolutely lightfast, waterproof and document-proof characteristics. The ink is characterized by its fluid consistency, which makes it perfect for writing, painting and drawing with various nibs and brushes. The neutral deep black (made from the pigment Pbk7) on a natural basis can be used both pure and diluted with water on smooth, satinised papers such as drawing papers. It dries to a silky gloss finish that makes the artwork particularly appealing. Indian Ink 1912 is available in round glass pipette bottles, each containing 28 ml, as well as in larger 250 ml plastic bottles.

Screen printing medium is ready to use and is best added to water-based paints (acrylics or gouaches) in a ratio of 10-50%, depending on the desired consistency. The drying time is extended depending on the amount added: with an addition of approx. 20 %, the drying time is extended by approx. 70 %. There is no change in colour value with the specified quantity ratio. The product cannot be used pure! The product can be diluted with water. Please clean tools with water or water and soap. Please don´t use the product below temperatures under 10 °C object- and room-temperatures. Close immediately after use. Store in a cool and dry place. Protect from frost. Individual pre-tests are required

Final varnish for acrylic painting based on high-quality acrylic resin. ----------------------------------------------------------------------------------------------- The product is ready to use but can be diluted with water if necessary Apply quickly with a suitable varnish brush at room temperature only to a completely dry paint layer (after about 3 days for thinly applied acrylic paints and 1 to 2 weeks for impasto paints). If possible, only apply to slightly absorbent substrates; on absorbent substrates, the varnish may sink in and require repeated application. [Caution! The first layer of varnish will be dissolved again when a second layer is applied]. Clean tools with soap and water immediately after use. The usual layer thickness of varnish has no significant influence on the UV resistance of the paint layer. We therefore strongly recommend working with high-quality, lightfast acrylic paints right from the start. Close the container immediately after use. Store in a cool, dry place and protected from frost Not recommended for exterior use Individual pre-tests are recommended

Final varnish for acrylic painting based on high-quality acrylic resin. ----------------------------------------------------------------------------------------------- The product is ready to use but can be diluted with water if necessary Apply quickly with a suitable varnish brush at room temperature only to a completely dry paint layer (after about 3 days for thinly applied acrylic paints and 1 to 2 weeks for impasto paints). If possible, only apply to slightly absorbent substrates; on absorbent substrates, the varnish may sink in and require repeated application. [Caution! The first layer of varnish will be dissolved again when a second layer is applied]. Clean tools with soap and water immediately after use. The usual layer thickness of varnish has no significant influence on the UV resistance of the paint layer. We therefore strongly recommend working with high-quality, lightfast acrylic paints right from the start. Close the container immediately after use. Store in a cool, dry place and protected from frost Not recommended for exterior use Individual pre-tests are recommended

This pump-spray creates granulation effects in non-granulating watercolours. Spray with the fine atomizer into the still wet watercolour areas to be treated. The pigments there will quickly flocculate. As only a few of the HORADAM® watercolour are originally granulating (marked with a "G" in the colour chart), this medium helps to create a granulation effect for all colours. For already granulating colours the effect will be intensified. Due to the fine atomizer also small areas within a painting can be treated.