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Charcoal Holder for pencils ,graphites and charcoals.

A warm, white oil colour based on linseed oil for the first layers in oil paintings. Fast drying. Minimizes cracking of colored shades in upper layers. Not for pure use or for mixing – the product tends to yellow. Please use like a “normal” oil colour only on preprimed grounds.

Turtle Skin - 46x70cm approx. - Thin Lokta paper, wrinkled - Handmade in Nepal.

Medium for smooth tonal transitions between colors. Particularly helpful when creating various decorative effects on metal and other smooth surfaces.

This 75 gsm Layout Pad for Comic & Illustration is acid free, lignin free and age resistant. Special paper for felt-tipped pens, fibre pens, fineliners and markers. Colours do not bleed. Layout Pad is available in A4, A3 and A2 format each containing 75 sheets.

It is suitable for all dry techniques, from sketching & drawing to color pencils, and wet techniques, from pen & ink to gouache and watercolor. Mix every-thing and push your creativity to new frontiers. Available in 3 sizes. Short side spiral bound “true-size”: 14,8x21 cm, 21x29,7 cm, 29,7x42 cm

Hahnemühle FineArt has designed this special paper for Japanese Sumi-e painting. This very absorbent paper is ideal for “freestyle” brush painting. “Sumi” means “black ink” and “e” means both “path” and “painting”. The style of brush painting is both a simple and yet highly aesthetic drawing made of powerful, mostly chasing and rapidly executed lines. Patience and inner harmony are essential in brush painting to capture the spirit of the subject. Sumi-e is therefore not only an Asian painting technique but also a form of spiritual relaxation therapy. Sumi-e painting evolved in the 5th century from Chinese calligraphy. The main subjects are taken from nature. In the 12th century Zen monks brought the technique to Japan where even today Sumi-e painting has a decisive influence on lifestyle. 20 sheets - 80gsm.

Pebeo Cerne Relief outliners are used for creating cloisonné effects or lines to imitate enameling and stained glass effects. This thick, pasty paint is designed for use with both Pebeo Ceramic and Vitrail colors. Each 20 ml tube's fine applicator tip makes the finest of details a snap, and the paint is air dry! Allow at least thirty minutes' drying time before applying Pebeo colors.

Μετάλλικο κρεμασταράκι για καμβά ή κορνίζα. Σετ 2 τεμ. Φάρδος 4εκ, ύψος 3,5εκ, βάθος 2εκ.

Pure - 50x75cm approx., 15GSM approx. - Extra fine tissue paper, 100% natural fibers from Lokta, fringed edges - col. natural - Handmade in Nepal. Art – Dubbing – Restoration

Mitsumata 60 GSM approx. - 54x82cm approx. - 100% natural fibres, fringed edges - col. natural - Handmade in Nepal. Art – Dubbing – Restoration

Yarlung - Sheet 50x75cm approx. - thin Lokta paper printed in 1 color - fringed edges. Handmade in Nepal.

Yarlung - Sheet 50x75cm approx. - thin Lokta paper printed in 1 color - fringed edges. Handmade in Nepal.

Hemp Paper - 48x67cm approx. - Natural hemp fibers, fringed on sides - Handmade in Thailand. Ideal for collage, construction, wrapping, decoration, dressing books etc.

Translucent, weaved - 48x70cm 130gsm approx. - translucent paper on cotton thread - Made by hand in Nepal

Classic Thin Lokta - 50x75cm - Mould made paper - deckled edges - Handmade in Nepal.

Classic Thin Lokta - 50x75cm - Mould made paper - deckled edges - Handmade in Nepal.

Classic Thin Lokta - 50x75cm - Mould made paper - deckled edges - Handmade in Nepal.