Binder for own production of acrylic colours, acrylic mediums and primers. Glossy, colourless, nonyellowing, age-resistant; dilutable with water, but forms rather quickly a water-resistant film. Improves adhesion of undercoats when added to Schmincke acrylic colours instead of water; increases gloss and transparency of the colours.
Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.
An agate burnisher is a tool used to seal and polish the gilding. By pressing the gold leaf, you ensure it adheres perfectly to the gesso or bole base. The shape differs according to the insert to be burnished.
An agate burnisher is a tool used to seal and polish the gilding. By pressing the gold leaf, you ensure it adheres perfectly to the gesso or bole base. The shape differs according to the insert to be burnished.
An agate burnisher is a tool used to seal and polish the gilding. By pressing the gold leaf, you ensure it adheres perfectly to the gesso or bole base. The shape differs according to the insert to be burnished.
Size on varnish is an oil and varnish with adhesive properties used for gluing metal flakes. Flakes can be glued after 12 hours. Before applying the mixture, insulate the surface with diluted acrylic paint and smooth after applying several layers. Then apply 1 to 2 thin layers of the mixture with a soft brush. Leave to dry until the mixture is sticky to the touch and start applying gold flakes
Size on varnish is an oil and varnish with adhesive properties used for gluing metal flakes. Flakes can be glued after 3 hours. Before applying the mixture, insulate the surface with diluted acrylic paint and smooth after applying several layers. Then apply 1 to 2 thin layers of the mixture with a soft brush. Leave to dry until the mixture is sticky to the touch and start applying gold flakes