Genuine Artists‘ AQUA Bronzes

Liquid ink based on dyes and resin dissolved in pure alcohol. Can be mixed with other resins. Ideal for metal, glass, plastic, foil, a special Yupo paper or other slippery surfaces.

Supergranulating colours are watercolours with a special property: the combination of at least 2 granulating HORADAM® pigments intensifies this effect to "supergranulation". The colours are formulated with pigments from different colour ranges, resulting in additional colour changes besides the granulation effect. For example, the shade "Deep Sea Indigo" (14 952) is a combination of violet and green pigments, while "Glacier Brown" (14 965) contains a brown and a green pigment. This novel, natural structure formation of the colours varies depending on the paper and the amount of water used. The rougher the paper, the stronger the granulating effect. The 40 supergranulating colours are divided into 8 thematic series of 5 colours each: Deep Sea, Glacier, Galaxy, Forest, Tundra, Volcano, Shire and Desert. The colours are available in half pans. All supergranulating HORADAM® AQUARELL colours have exclusively 4 and 5 stars lightfastness and contain only pigments already known from HORADAM®. The opacity of the colours is predominantly semi-transparent / semi-opaque. All supergranulating colours can be used on their own and perfectly in combination with all 139 HORADAM® AQUARELL watercolours as well as all AKADEMIE® Aquarell watercolours.

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This paper is acid free and made in India.

In order to achieve the highest standard regarding lightfastness, resolubility and stability, Schmincke's HORADAM® use the best raw materials available. There is no compromise in quality - the highest standards of artists' pigments allow the highest level of lightfastness. Schmincke's HORADAM® binding medium is Kordofan Gum Arabic from the Sahara region, due to it differing from year to year it is tested and the best of the batch is selected to used with their pigments. They use an optimal amount of oxgall to avoid undesired coloured formations and undissolved pigment, allowing the perfect flow of colour.