Drawing

Protective lacquer for paintings with AERO COLOR® Professional. Glossy; colourless; elastic; non-yellowing; dilutable with water, but forms rather quickly a water-resistant film. Also an ideal primer if diluted 1:1 with water and a final sealant for working with AERO COLOR® Professional on leather.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Colourless after drying.

Used to create striking white highlights or areas for overpainting at a later stage. Forms a fast-drying, water-resistant film on watercolour paper and board, easily removed when dry by rubbing with an eraser, soft tissue or cotton bud. An old brush, pen or cotton bud should be used to apply the Masking Fluid as it is extremely difficult to remove from brushes when dry.

Medium for AERO COLOR® Professional for mixing a textile airbrush colour (mixing ratio: 1:1).

Very effective universal fixative for several painting and drawing techniques based on alcohol. Intermediate fixative for charcoal and pencil (so they can be painted over with oil colours!); final fixative for charcoal, pencil, pastels, water-colours, gouache, art prints, inkjet-prints, photos. Colourless; non-yellowing; age-resistant; fast drying.

Very effective intermediate and final fixative for pastels and chalk based on alcohol. Colourless, nonyellowing; age-resistant; fast drying.

Very effective final fixative for charcoal and pencil made of bleached shellac and non-yellowing, synthetic resin based on alcohol. Fast drying; also suitable for pastels if used sparingly (HINT: Due to higher resin content stronger fixation than pastel fixative, but also might increase more the intensity of colour!)

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging.Contains 10.

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging.Contains 15.

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging.Contains 30.

Working with Schmincke’s finest extra soft pastels will give you a completely unique drawing experience. They have an incredibly high concentration of top quality pigment powder held together by the absolute minimum amount of binding agent - just enough to ensure that they remain a stable compound. Unlike many pastels on the market they also do not contain chalk or additives which helps keep their colouration pure and consistent throughout each pastel. This stripped back recipe results in such soft pastels that Schmincke had to design a costly and time consuming manufacturing process to stop them breaking. Each lump of pre-kneaded pastel dough is rolled into rounded skeins which are sectioned by hand and laid onto a sheet. The skeins are then cut by hand with a wire-strung frame and transferred onto wooden palettes where they are left to dry for around 2 weeks. By this time they are so soft that they need to be wrapped by hand and gently placed in their foam packaging.Contains 45.