Products tagged with 'binders'

Adigraf Oil Block Printing Medium transforms traditional oil paints into vibrant, high-quality inks ideal for block, lino, and relief printing. Designed to be mixed with Georgian Oil paints at a ratio of 1.5 parts medium to 1 part paint, this medium offers a convenient and cost-effective way to create bespoke printing inks without purchasing a full set of specialist colours. Allow prints to dry for 3-5 days before overprinting to achieve the best results. Made in the UK, it enables artists to explore oil-based block printing with ease and confidence.

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Linseed oil boiled with oil-soluble siccatives. A little more yellowing than linseed oil and stand linseed oil; dries faster than linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of non-white oil and tempera colours.

Natural Palembang-dammar. Selected very light pieces. For own production of oil painting mediums, tempera-emulsions and varnishes. Soluble in oil of turpentine and turpentine substitute.

Binder for own production of water-colours and gouache colours. Dilutable with water; dries to a wiping resistant film, but remains water-soluble. Improves adhesion of undercoats when added to Schmincke water-colours and gouache colours; increases gloss, transparency and intensity of colours.

Ready-to-use binder for easy grinding of sharpcontured linoprint colours in combination with Schmincke pure artists´ pigments. Dilutable with water; dries to a wiping resistant film, but remains water-soluble.

Ready-to-use binder for easy grinding of satin-matt acrylic colours in combination with Schmincke pure artists´ pigments. Dilutable with water, but forms rather quickly a water-resistant film; non-yellowing; age-resistant. Shake before use.

Τερεβινθέλαιο, φιλτραρισμένο και ραφιναρισμένο για την αραίωση λαδιών, βερνικιών και ρητινών.

Bleached poppy oil. Less yellowing than linseed oil; slower drying than linseed oil varnish, linseed oil and stand linseed oil. Binding component for oil colours and oil painting mediums; binder for own production of white oil colours. Attention: Use only sparingly and always in combination with sunflower- or linseed oil!